Olivia Newton John and the Musical

There are few of the icons in the world of musical comedy. Olivia Newton John was one of them. And yet his career in the genre is extremely limited: 3 films and that’s it, but one of them is essential. Grease, where alongside John Travolta she impressed the youth of the whole world in her hyper-tight leather pants, her XXL earrings and her bare-shouldered top. Olivia Newton John passed away last summer from cancer. Today we spend an hour with her and the musical.

OLIVIA NEWTON JOHN AND THE MUSICAL IN 5 VIDEOS

• Olivia as “Sandy 1” in Grease

• Olivia in “Sandy 2” in Grease

• The duo Gene Kelly Olivia Newton John in Grease, Everyone on wheels even Gene Kelly and Olivia Newton John in the final scene of “Xanadu”

• Physical, Olivia Newton John’s shock album in 1981

• John Travolta talks about Olivia Newton John at the 2023 Oscars

NEWS

• For the Grease lovers, there’s a Grease tour

Currently in France, they will be in April on the 7th at the Casino Barrière in Bordeaux, on the 15th at that of Deauville, on the 20th at the Parc expo Le cube in Troyes and at the Summum in Grenoble on the 21st.

From April 6, the Paramount + platform offers The Rise of the Pink Ladies.

Sunday March 26 at 3 p.m. at the Publicis cinemas, 133 av des Champs Elysées first screening of the Musicals de Rémy: funny film screenings under the leadership of Rémy Batteault with France Musique.

NEXT CABARET 42nd STREET

SUNDAY APRIL 23
Square of the Temple – Paris 3rd

Text, music and direction David Lescot

Musical for 11 actors-singers-dancers and 4 musicians
Candice Bouchet, Elise Caron, Pauline Collin, Ludmilla Dabo, Marie Desgranges, Matthias Girbig, Alix Kuentz, Emma Liégeois, Yannick Morzelle, Antoine Sarrazin, Jacques Verzier.
Anthony Capelli: drums / Fabien Moryoussef: keyboards / Philippe Thibault: bass / Ronan Yvon: guitar

A love conceived not as an idyllic feeling, but as a force that seizes us and contaminates us, a kind of violent and uncontrollable disease, a devastating principle that turns everything upside down, ruins our resolutions to order and to reason, and triggers demented and anarchic behavior in us.
In short, this love which blows on the characters of the play like a wind of madness, is a true revolutionary principle, on the scale of their lives, giving rise to senseless decisions, opposed to all calculation, to all economy, to all standards. , to any principle of profitability, balance or interest. Both fatal and liberating, it is pure expense and even pure loss.

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